The Expanded Field by Gabriel Chazan
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Larissa Pham’s Pop Song is at once a meditation on a wide ranging list of artists ranging from Peter Hujar to Agnes Martin and also a personal narrativ…
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R. Michael Kelley, Photograph of Chuck Arnett's Tool Box Mural (1975) Gay Bar: Why We Went Out by Jeremy Atherton Lin. 306 pages. Little, Brown & Compa…
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A Review of "An Excess of Quiet: Selected Sketches by Gustavo Ojeda, 1979–1989"
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One of my favorite recent novels was These Violent Delights by Micah Nemerever. The book tells the story about the dependent relationship between Paul …
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"Heaven" by Emerson Whitney and "Catherine House" by Elisabeth Thomas
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Glenn Ligon, Condition Report, 2000, Iris print, screenprint. Tate Afropessimism by Frank B. Wilderson III, 352 pp. Liverlight For me, reading Frank B …
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Fifth floor of 101 Spring Street, Judd Foundation, New York The Self-Help Compulsion: Searching for Advice in Modern Literature by Beth Blum, 344 pp., …
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Jasper Johns, White Flag, 1955. Encaustic, oil, newsprint, and charcoal on canvas. Metropolitan Museum of Art Why We're Polarized by Ezra Klein. Avid R…
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David McDermott and Peter McGough, Queer, 1885, 1987. 44 x 88 inches, oil and gold leaf on linen, Pier Groups: Art and Sex Along the New York Waterfron…
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The Topeka School by Ben Lerner, Farrar, Straus and Giroux, 304 pp. Duccio di Buoninsegna, Madonna and Child, ca. 1300, Metropolitan Museum of Art “Poe…
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The Doll Factory by Elizabeth Macneal, Atria/Emily Bestler Books, 362 pp. John Everett Millais, “Mariana.” 1851, Tate Britain, Photo © Tate CC-BY-NC-ND…
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How to Do Nothing: Resisting the Attention Economy by Jenny Odell, Melville House, 256 pp. While I was living in Bronxville during college, I would reg…
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